01-27-2010
Residential Architect vs. Builder
If we approach the issue from the educational and experience points, we may find some insight. A builder, by default, will typically approach a design from a construction point of view and rely on his past homebuilding to design a home. The main missing component is the ability to approach residential design from the educated planning and overall vision. Architects are trained for years to understand space, function, standards, building methods, budgets, client needs and tend to approach each challenge with these experiences in mind. Even though a contractor may know a quicker and better way to construct a bay window, he or she may ignore issues like proportion, window configuration and trim details that are important to the overall home design because they are not even considered.
I hear from construction professionals all the time that architects should work in construction for 5 years before going to architecture school. This, in theory, sounds great, however it would then take a total of 13-15 years before an architect could be eligible for licensing! Architects learn in their early years from older mentors and from visiting construction sites. It takes time to develop knowledge of construction and it is up to each individual architect, whether they are residential architects, resort architects or commercial architects, to develop these skills. In most of my experience when a contractor sends me a request for information, we “both” bring our experience to bear on the problem. With egos aside, problems are usually solved quickly to both parties satisfaction.
In Hawaii I have found that a few construction professionals who have the unique ability to work “with” architects for the projects greater good. Residential projects can benefit greatly by creating a team of dedicated professionals, each respecting each other’s roles and ultimately everyone will benefit.
Thursday, January 28, 2010
Saturday, January 23, 2010
Ok, so let us talk about sustainable resorts. Most of my research online yields several “off the grid” resorts. Despite the fact that many resorts are off the grid because they have no choice, they choose to market themselves as sustainable. I have seen very few that proactively develop in a manner consistent with real sustainable methods. In addition, the idea of developing vast areas of virgin land is hardly sustainable in a long term sense. Many countries faced with a viable economic model seem to be more and more dependent on tourism as agriculture is becoming more competitive. Countries in South America and China are making it more difficult for small countries to compete in the globalization of agriculture. Fiji with its sugar cane and Belize with citrus are prime examples. It is becoming apparent that the global agriculture model is not sustainable (i.e. the thousand mile salad) and there are movements in farming to return to the local method. In Hawaii, we are seeing several alternative methods to agriculture to counteract the need to develop virgin land for resorts or vacation homes for the wealthy as an alternative to economic stability.
Tourism will always be a draw for exotic destinations and a reality to incorporate, however they can be developed in a method that is in balance if done wisely.
Resort architects can employ many sustainable concepts as we have in an upcoming resort in Belize. On the residential architecture, we minimized impact to the site, utilized catchment and grey water recycling, used local materials throughout, photovoltaics, natural ventilation, daylight, drought resistant planting, non v.o.c. paints and finishes, ect…
The resort itself will have many of the same items listed above and also employed recycling programs, reserved community farming areas and vast acreage reserved for wildlife. It may not have all the potential sustainable design; however it will be a model for the rest of Belize and sets the bar higher…
Tourism will always be a draw for exotic destinations and a reality to incorporate, however they can be developed in a method that is in balance if done wisely.
Resort architects can employ many sustainable concepts as we have in an upcoming resort in Belize. On the residential architecture, we minimized impact to the site, utilized catchment and grey water recycling, used local materials throughout, photovoltaics, natural ventilation, daylight, drought resistant planting, non v.o.c. paints and finishes, ect…
The resort itself will have many of the same items listed above and also employed recycling programs, reserved community farming areas and vast acreage reserved for wildlife. It may not have all the potential sustainable design; however it will be a model for the rest of Belize and sets the bar higher…
Monday, January 18, 2010
Sustaina"bull"ity
01-18-2010
I recently toured a home on the Kohala coast under construction and was amazed at the amount of Burmese teak being installed. Moreover how the firm’s website espouses sustainability. I understand that architecture is a service industry and the architect is hired to realize the client’s needs and wishes, however there is also an implicit responsibility in recommending material options. More and more I am seeing architects, especially Hawaiian Architects, market their sustainable approach to design without having a single sustainable project. It is even more egregious when they actively produce work that is as unsustainable as possible.
I recently toured a home on the Kohala coast under construction and was amazed at the amount of Burmese teak being installed. Moreover how the firm’s website espouses sustainability. I understand that architecture is a service industry and the architect is hired to realize the client’s needs and wishes, however there is also an implicit responsibility in recommending material options. More and more I am seeing architects, especially Hawaiian Architects, market their sustainable approach to design without having a single sustainable project. It is even more egregious when they actively produce work that is as unsustainable as possible.
To be fair, it is difficult to convince clients to incorporate sustainable principles that may sacrifice their level of comfort or increase their budget. I have seen this first hand while working for my previous firm; however the principal in charge of these jobs never really educated the client of the real options and glossed over the benefits. It seemed that he did not want to complicate the process that may have affected his profit margin as it takes a lot more planning, coordination and time to realize sustainability over traditional building methods.
As a LEED AP, I have never had a client opt to register their project for certification, but I make sure to put forth the options for consideration. In most cases, I have been able to incorporate several sustainable elements into the projects without increasing the overall budgets. I feel many principals of sustainable architecture can be introduced as a “best practice” and become part of our standard design approaches.
Sending your junior partner to get his or her LEED certification and adding a page on sustainability to your web site is not a responsible approach to an industry in rapid change. Sustainable architects need to be at the forefront, using their expertise and guidance to do their part in the transition…
Tuesday, January 12, 2010
Modern Hawaiian Architecture
Happy New Year!
More on the challenge of designing architecture in Hawaii that is a balance of old and new. Most examples here in Hawaii and especially on the Big Island appear to consider the aesthetic only as an afterthought to make it “fit in” and have a Hawaiian feel. Due to the lack of permanent architecture in the Hawaiian Islands prior to the arrival of Captain Cook, there are few reference point for designers to draw from. The amazing stone work of the numerous heiau’s has an irresistible attraction for architects in Hawaii.
It takes courage as an architect to push developers and clients to risk building architecture that is out of the ordinary and not a pre-known commodity. It also takes an architect that is responsible and mindful of all the elements that are required to make a project work; budget, design review committees, neighborhood associations, construction methods, schedules, etc.. Modern architecture has freed architects from traditional decorated boxes, allowing massing to be expressed as function of the space. If an architect is conscious of the potentials of the local building materials, they can create extraordinary and unique designs with naturally embedded culture. These designs can incorporate all the elements and principles of the Hawaiian architecture of the past, yet bring it into the future.
It seems to me that, like most new endeavors, we must start out small and be persistent. It takes all members of the team from the developers, clients, architects, consultants to the contractor all understanding the clear vision of the project and each knowing their respective roles to realize the project successfully.
More to come…
More on the challenge of designing architecture in Hawaii that is a balance of old and new. Most examples here in Hawaii and especially on the Big Island appear to consider the aesthetic only as an afterthought to make it “fit in” and have a Hawaiian feel. Due to the lack of permanent architecture in the Hawaiian Islands prior to the arrival of Captain Cook, there are few reference point for designers to draw from. The amazing stone work of the numerous heiau’s has an irresistible attraction for architects in Hawaii.
More recent, the Dickey “double pitch” roof seems to be the most prevalent Hawaiian detail today. It is a bit ironic introduced in the 1920’s by an architect from Alameda, California. I am not trying to be overly critical of Dickey as he successfully modified Mediterranean buildings to work in the Hawaiian climate. Open plans, large overhangs and operable windows are necessary in this climate and function quite well. The point is that these elements lend themselves to making interesting contemporary architecture. Architect’s in similar climates, have successfully bridged the past and future while maintaining meaningful cultural identity. The Serai at Chadi Dasa in Bali is an example that draws from local materials and Balinese lifestyle. Traditional carvings, lotus ponds and coconut columns blend harmoniously in a minimalist architectural solution.
It takes courage as an architect to push developers and clients to risk building architecture that is out of the ordinary and not a pre-known commodity. It also takes an architect that is responsible and mindful of all the elements that are required to make a project work; budget, design review committees, neighborhood associations, construction methods, schedules, etc.. Modern architecture has freed architects from traditional decorated boxes, allowing massing to be expressed as function of the space. If an architect is conscious of the potentials of the local building materials, they can create extraordinary and unique designs with naturally embedded culture. These designs can incorporate all the elements and principles of the Hawaiian architecture of the past, yet bring it into the future.
It seems to me that, like most new endeavors, we must start out small and be persistent. It takes all members of the team from the developers, clients, architects, consultants to the contractor all understanding the clear vision of the project and each knowing their respective roles to realize the project successfully.
More to come…
Saturday, December 26, 2009
Why should you hire an Architect?
In this post, I want to explore what seems apparent for any architect but rarely articulated with any real conviction or clarity; why would one want to hire an architect for a residential project when they can have a builder’s draftsperson do the plans for a fraction of the cost? In Hawaii, there is a full range of residential architecture from the small ohana to the 20,000 sf. custom homes on the coast. Inevitably, unless the client is a veteran of the construction process, the question will arise. The architect will tell the clients that they should hire an architect to produce superior design, protect their interests and make sure the clients get what they are paying for. The builder will argue that they can do the drawings for free “in-house” and can do whatever the client wishes. This seems to be the toughest issue to for new homebuilders to get over. The spending of 7-10% of their construction budgets on design, drawings and construction administration rarely is understood until they have been through the process.
Here are some recent statements I have found;
“The Architect is the one professional who has education and experience to guide you through the entire design and construction process, from helping you define what you want to build to helping you define what you want to build to helping you get the most for your construction budget.”
“Architects can see the big picture. They don't just design walls and a roof, they create total environments, interiors and exteriors, that satisfy functional needs and can be exciting, dynamic spaces in which to live.”
“Whether you are remodeling, adding on, or building from scratch, the architect can guide the way. Working with contractors and other construction professionals, architects can help you end up with a well-designed project that meets your needs and works with your budget and time frame.”
“That is what architects are trained to do—solve problems in creative ways. With their broad knowledge of design and construction, architects can show you alternatives and options you might never think of on your own. “
“The architect's services are a wise investment for the money, not an added cost to your project. A well-conceived project can be built more efficiently and economically. Architects plan your project with you. As your ideas evolve, changes can be made on paper—much less expensively than later on when construction is underway. Thorough drawings also make it easier for the contractor to accurately price and build your project.”
“A good architect will anticipate your needs - even if you are not sure how to express them.”
“Architects provide a broad range of services and can provide value at every stage of the design and construction process. By working directly with you and assessing your requirements in great depth, the architect tailors the design to suit your personality, needs, budget, and lifestyle. The architect’s extensive study of design alternatives allows you to choose the design most appropriate to your needs. An architect’s knowledge of site-planning and natural energy processes helps accommodate your project to the site characteristics and neighborhood context. By overseeing construction, your architect helps to make sure that your project is built according to design.”
So each of the above statements makes sense and is true in most cases; however they all have a sense of a sales pitch. I have yet to come across a really compelling version of these reasons. In addition, there are always bad architects and bad builders that negate any of these above arguments.
So in the meantime I will continue to research this subject and provide updates. I would welcome any comments from the peanut gallery…
Sunday, December 20, 2009
Sustainable Architecture in Hawaii
I recently came across the farming technique of Aquaponics. I think it has real potential to augment the fishing component of the ahupua’a* in Hawaii, as well as alternative architectural solutions. It is a quite remarkable system, the dual cultivation of crops and fish (typically) in a re-circulating environment. Fish waste builds up in the water as a by-product. The effluent-rich water becomes poisonous to the fish.
Crops are grown in a way that enables them to utilize the nutrient-rich water. The crops take up the nutrients, reducing or eliminating the water's toxicity for the fish.
The water, now clean, is returned to the aquatic animal environment and the cycle continues. Aquaponic systems do not discharge or exchange water. The systems rely on the natural relationship between the aquatic animals and the plants to maintain the environment. Water is only added to replace water loss from absorption by the plants, evaporation into the air, or the removal of biomass from the system.
The farm we visited was north of Honoka’a, Hawaii. It was started by a couple in 2007 and is apparently the first to have its produce USDA certified organic. They are shipping 2,600 pounds of lettuce and 300 pounds of tilapia per month.
We recently were discussing a project in Hawaii requiring green roofs and this seemed like a perfect option for the architecture. The mass of the water would not only provide insulation, but aesthetics of the planting could be continually rotated. As an architect in Hawaii, it is our responsibility to embrace these new technologies. They could be integrated into the architecture easily and could be expressed in a contemporary way.
* a system that emphasized the interrelationship of nature and humans, the ahupua`a contained those interrelationships in the activities of daily and seasonal life. Shaped by the Hawaiian island geography, each ahupua`a was a wedge-shaped area of land running from the mountains (volcanos) to the sea, following the natural boundaries of the watershed. Each ahupua`a contained the resources the community required, from fish and salt, to land for farming, other trees growing in upslope areas. Villagers from the coast traded fish for other foods or for koa wood to build canoes and houses. Specialized knowledge and resources peculiar to a small area were also shared among ahupua`a. Although there was no private ownership of property, land tenure was stable. They paid weekly labor taxes and annual taxes to the local overseer, who collected goods to support the chief and his court. The konohiki supervised communal labor within the ahupua`a and also regulated land, water and ocean use. Stewardship of the land and its resources was formalized through the kapu system.
Saturday, December 12, 2009
Contemporary Hawaiian Architecture
In this initial blog I want to explore aspects of contemporary architecture in Hawaii. It seems to me, despite the recent residential building boom here on the Big Island, there are few examples of design that really push any boundaries. Even the Legoretta house, which has some great spaces and excellent detailing, does little to inspire me. I understand the challenges with development in the residential communities here, whether it is the design review guidleines (committees), NIMBY's or a client's unwillingness to stand out from his/her peers.
These constraints tend to produce residential products with a superficial applied individuality. I have worked on a number of these homes in the recent past for an architect in Waimea. Although the floor plans usually were well designed to give potential to the massing, this is where it stopped. The floors where then quickly extruded and grappling with clumsy roof pitches that had to be tied together, formed the next design phase. Selecting the roofing material, wood species and plaster color was all that left to do.
I am not saying good contemporary Hawaii Architecture needs to be flat roofed with lots of glass and stainless steel on a rectangular lot on the ocean. If the designer considers other elements besides program area and circulation, the solutions will be much richer, embedded with consideration for isses such as; site selection, sustainability, culture, symbolism, context, views, feng-shui, spatial relationships, massing, site integration, etc...
There are a few good examples on island where some of these issues are considered, Lot 60 at Kukio and the Sato residence at Pu'u Lani. Lot 60 took a traditional Hawaiian home and expressed all the elements in a minimalist, clean approach. The effect was mixed... as an architect, I appreciated the attention to detail (mortar joints aligned, flawless semetry, material palette) however the typology was understood even before I entered the home.
One of my past projects, the Slim Alta house in St. Louis is not Hawaiian, however it does take a unique approach which could still be a valid approach to a contemporary home in Hawaii. The site was an irregular lot in a subdivision that had never been developed. An easment cut through the site and had access only to half of the site, which was on a hillside. The unusual contraints forced the stacking of the program creating a dramatic solution with the cantilevered living room and exterior views from all major spaces.
The idea of seeking unusual sites with inherant challenges can actually provide opportunity for unique contemporary architecture. I believe this approach would be applicable for Hawaii archtiects as well. Allowing the site to inform the massing, utilizing all local materials and employing appropriate sustainable practices.
more later....
These constraints tend to produce residential products with a superficial applied individuality. I have worked on a number of these homes in the recent past for an architect in Waimea. Although the floor plans usually were well designed to give potential to the massing, this is where it stopped. The floors where then quickly extruded and grappling with clumsy roof pitches that had to be tied together, formed the next design phase. Selecting the roofing material, wood species and plaster color was all that left to do.
I am not saying good contemporary Hawaii Architecture needs to be flat roofed with lots of glass and stainless steel on a rectangular lot on the ocean. If the designer considers other elements besides program area and circulation, the solutions will be much richer, embedded with consideration for isses such as; site selection, sustainability, culture, symbolism, context, views, feng-shui, spatial relationships, massing, site integration, etc...
There are a few good examples on island where some of these issues are considered, Lot 60 at Kukio and the Sato residence at Pu'u Lani. Lot 60 took a traditional Hawaiian home and expressed all the elements in a minimalist, clean approach. The effect was mixed... as an architect, I appreciated the attention to detail (mortar joints aligned, flawless semetry, material palette) however the typology was understood even before I entered the home.
One of my past projects, the Slim Alta house in St. Louis is not Hawaiian, however it does take a unique approach which could still be a valid approach to a contemporary home in Hawaii. The site was an irregular lot in a subdivision that had never been developed. An easment cut through the site and had access only to half of the site, which was on a hillside. The unusual contraints forced the stacking of the program creating a dramatic solution with the cantilevered living room and exterior views from all major spaces.
The idea of seeking unusual sites with inherant challenges can actually provide opportunity for unique contemporary architecture. I believe this approach would be applicable for Hawaii archtiects as well. Allowing the site to inform the massing, utilizing all local materials and employing appropriate sustainable practices.
more later....
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